ALBUM DESCRIPTION

Over the last few years, under the tutelage of his cousin Monty G and producer DJ Frost, Mr. Lynx has become one of the top selling artists in the gospel reggae arena. After much prayer and consideration, this hit-maker has decided to venture out on his own and start Zion I Records. His desire with this new label is to release strictly gospel roots reggae using live instrumentation and uncompromising lyrics. This fresh sampler is the fruit of his labor over the past year and introduces us to his new stable of artists, including Singaton, Timeless and Shadi. It also provides SEVEN brand new Lynx songs to satisfy our itching Ears!

In true roots fashion, track 1, "Zion Road," kicks off with Mr. Lynx's trademark sing-jay style and conscious lyrical content. Complemented by a tight live band, "Zion Road," aptly sets the tone for this important new release. In fact, the entire compilation features authentic, thick roots reggae textures complete with heavy bass, raw tenor saxophone, bubbling keyboards, and pulsing one-drop rhythms. The live roots feel is clearly this album's most prominent attribute, and Mr. Lynx fully controls these riddims on songs like "Judgment Come," "Not Forgotten," and "Set Me Free." These three songs paint an exciting picture of Lynx's new musical direction!

Mr. Lynx's performances, however, are not this compilation's only high points! Each new artist presented on this release flexes their own unique style over both original and well-known roots riddims. Both Singaton and Shadi bring forth excellent contemporary roots performances on tracks such as "Rocky Road," "Freedom," and "Never Let You Go. Additionally, with "Why Should I Leave You Now," and "Unto The King," Timeless impressively pioneers her own rough roots vocal style.

Zion I Records' brand new compilation clearly sets itself apart from the pack with a wicked combination of riddims and artists. If you're looking for a fresh compilation with hot new roots songs, then look no further! Add this CD to your shelf today!

Review by: D.M. Gahn